Rani Mukherji's Mardaani movie review

The much awaited comeback movie of Yash family bahu, Rani Mukherji titled Mardaani hit theatres on Friday. Before we tell you the reasons to watch or not watch the movie, let's take a look at the production crew.

Directed by Pradeep Sarkar

Produced by Aditya Chopra

Written by Gopi Puthran

Starring Rani Mukerji, Tahir Bhasin, Jisshu Sengupta

Music by Songs: Shantanu Moitra,

Background Score: Karthik Raja

Cinematography Artur Zurawski

Edited by Sanjib Datta

Production company Yash Raj Films

Distributed by Yash Raj Films

Here's the review and rating:

A stellar cast only adds to this accomplished film's sense of creative propriety.

"Mardaani" is a film that makes all the correct noises about child trafficking. And by "correct noises", I do mean the soundtrack, which is among the most evocative provocative and satisfying in recent times.

Normally in Bollywood, when films are done with live sound, the effect is scratchy and at times in inaudible. "Mardaani" cleans out the noises and yet retains a high decibel of authenticity in the complementary relationship between sight and sound. This is a film that knows its job.

This, then, is the world of Pradeep Sarkar's derelict people. Posh pimps and "cool" flesh traders gnawing at the fabric of our society by playing with the lives of the most innocent and vulnerable.

Without the least fuss, director Pradeep Sarkar (so eloquent in his last film outing with Rani in 'Laaga Chunari Mein Daag') provides us vivid glimpses into the life of the cop-hero Shivani (Rani).

Rani's Shivani is a mixture of the feminine and the 'mardaani'. Displaying exemplary economy of expression, the narrative puts forward Shivani's very articulate attitude to home and profession through brief, but lucid encounters with various characters.

Towards the end, the film's elegant pace slackens, sags and almost collapses. But somehow, Sarkar manages to keep the proceedings from getting dragged down by the drama, no matter how unruly they progressively gets.

The narrative is well-stocked with signs of conscientiousness. Human trafficking is evidently not a pretext to assemble a thriller here. Rather, it's the other way around. Out of the vast expanses of the film's sensitivities, there emerges a very engaging thriller, replete with sincere efforts to demonstrate the harsh reality of child prostitution into a cinematic currency.

Shockingly, the film's world of flesh trade is controlled by a cool urbane corporate type of dude named Walt (excellently played by the almost-new actor Tahir Raj Bhasin).

Walt operates his prostitution racket with the blue-toothed precision of a corporate enterprise. He is on his play-station in his free time and lives in a Delhi flat with his evil mom (Mona Ambegaonkar, scarily coquettish). It's all stunningly normal and urbane.

The film's biggest triumph lies in showing the murk that resides under gleaming surfaces. Girl children are sold for sexual gratification to men old enough to be their grandparents while the piped music plays soothingly in the background. There is a kind of unassuming veracity in the narration that quickly sucks you in. We are inescapably drawn in to Shivani's dark and desperate mission.

You can't come away unaffected by the brutal world that Shivani cracks after a girl she loves goes missing. The cat-and-mouse game between the cop-heroine and Walt is defined by some excellent dialogues. The words which colonize Pradeep Sarkar's world are constantly more weighty than the casual tones suggest.

"Mardaani" lays open a world of crime and heartbreak. Scenes of unimaginable torture and humiliation meted out to young girls are placed against the screen heroics of a heroine who is neither Chulbul Pandey nor Singham and in many ways gutsier than both.

Rani Mukerji brings in a level of credibility to the character. Her action scenes are never larger than life. She is not a show-offy cop. And that's a blessing. "Mardaani" is film that is carpeted with competent actors. Almost every character, big or small, is played by actors who don't believe their performances need to scream their skills.

This film believes in what it has to say about the killing of innocence.

"Ravaging the opposition and young girls come easily to me," leers a politician.

Right. And India is shining.

Rating: 4/5

Plot and review

Shivani Shivaji Roy (Rani Mukerji) is a senior inspector crime branch, in Mumbai. She lives with her husband Dr. Bikram Roy (Jisshu Sengupta) and her little niece Meera which she is very protective of. Clever at picking up hidden clues and fearless in confronting hardened criminals with wild chase, Shivani takes on a case that changes her life. A teenage girl, Pyari, who is like a daughter to her, is kidnapped by the trafficking mafia and the mafia kingpin smuggled the girl outside the city. The mafia kingpin Walt calls Shivani and wants to know what she wants, so she will stop chasing them. Shivani asks the mafia kingpin/Walt (Tahir Bhasin) to let Pyari free, but he won't let her free, because Pyari has seen too much. Shivani Shivaji Roy doesn't know the name of mafia kingpin and she challenges him that she is going to catch him in 30 days and what follows is a cat and mouse game between a young, ruthless mafia kingpin and police.

Verdict: That Rani has tremendous acting potential is no news. But this movie is Rani all the way in a changed avatar from being a lovelorn girl to a tough cop. A visual treat to all the Rani fans who were waiting for her to make a comeback. Aditya is a proud husband!

Check out the movie trailer to get a peek into the story

We will soon be back with the report on box office collection. So, come back for all the movie updates.