Like Sabarimala, this Kolkata Kali Puja prevents women's entry

Amidst the raging controversy surrounding Kerala’s Sabarimala temple, a 34-year-old Kali Puja here is now getting media attention as it does not allow women to step inside the marquee premises, with belief reigning stronger than rights.

“Our 34-year-old Panchamunda Kali Puja follows tantra (an ancient esoteric Hindu tradition). Tantric priests from Tarapith have been conducting the puja every year. We had questioned our ancestors, but they said a female is not even allowed to touch anything,” Gangaram Shaw, executive body member of the Chetla Pradip Sangha, told IANS.

Kali Puja - which is celebrated as Diwali in Bengal - is scheduled to be held on November 6. Shaw mentioned that the restriction on entry has been there ever since the Puja was first held. Another committee member, Manoj Ghosh, said, “As organisers, we want women to be included in the puja but this is not our puja as we have to follow whatever the tantrics say.” However, a priest of Tarapith temple (265 km from Kolkata), situated on the banks of the Dwarka River in Birbhum district, expressed immense surprise.

“I am one of the aged priests here and I know there are no such rules that prevent the entry of women. Our temple is open for all and I am wondering who are those priests talking about such restrictions,” exclaimed Mulmantra Roy, 81. The community Puja, with a budget of around Rs 300,000, is a major crowd-puller and, this year, the organisers plan to bring their 15-feet-tall idol on November 4.

The immersion will take place on November 9. Commenting on the reason cited by the organisers, Indologist Nrisingha Prasad Bhaduri said, “This is particularly a patriarchy-induced condition. Most of the Shakti Pujas are done following the tantra rituals and such practice is not prevalent anywhere. Finally, if the tantric has so many problems, then why are they worshipping the female goddess?” The women residents of the area seem least bothered about the restrictions as they don't want to break the age-old tradition.

By Binita Das