Capturing the essence of rural life

Mohammed Osman is a young promising artist from Hyderabad, who is distinctively trying to present Telangana culture in a different way on the canvas. Osman says that he always tries to portray the spirit of rural life in his paintings, which is very close to him.

Excerpts:

What inspired you to take art as a profession?

After completing my studies, I tried to get into JNTU, however, at that time, I couldn't secure a seat in the coveted institute. And I didn't stop there as I always wanted to become an artist and I was never satisfied with whatever I did.

In 1998, I again attempted for the entrance (JNTU); this time, I got admission and I came to Hyderabad, along with my wife and two children to follow my dream. Pursuing my education was not an easy task for me.

I used to go college in the morning and in the night I used to work as a signboard artist. My passion for art is the reason why I chose this profession and it was my father who encouraged me when he came to know about my skills and my passion for art. He wanted me to become an artist and garner accolades. I draw a lot of inspiration from MF Hussain.

Tell us about your stint as an artist. It was difficult for a few years after my education. I struggled a lot. At that point, I got various job offers but they were from different field and I never went for it. I didn’t give up and continued my work.

In 2006, my work was appreciated by people. Then from that time my career picked up and now it has been a decade and I am happy with my progress. After this long journey, what I believe is if you are talented enough you will succeed in life. Hard work always pays.

Why did you choose 'Gangireddu' as your subject for your paintings?

There is no story in my works. I just try to show the beauty along with my skills. I am from a small village in Mahabubnagar, where I spent time observing people and the life over there, later it became my biggest source of inspiration. I have chosen ‘Gangireddu’ as my subject as it is the sacred bull that is decorated with beautifully coloured clothes and ringing bells around the neck.

It’s an important part of Pongal festivities in villages and towns and I found it very interesting as it has beautiful traditional elements in it. I feel it's nothing less than a beautiful composition of art. Recently, I added Radha-Krishna theme to my paintings with ‘Gangireddu’, to add an essence of romance.

What are your future plans?

I am working for a solo show, which may happen at the end of this year in New Delhi.