MSG: The Messenger Of God review, rating

The much controversial hindi movie MSG released in theatres today. Before we tell you why the movie is a must watch, let's take a look at the production crew.

Directed by Gurmeet Ram Rahim Singh, Jeetu Arora

Produced by Gurmeet Ram Rahim Singh, Ravi Verma

Written by Gurmeet Ram Rahim Singh

Starring Gurmeet Ram Rahim Singh, Daniel Kaleb, Flora Saini, Jayshree Soni, Olexandra Semen, Gaurav Gera, Jay Singh Rajpoot

Music by Songs: Gurmeet Ram Rahim Singh

Background Score: Amar Mohile

Cinematography Gurmeet Ram Rahim Singh, Vineet Sapru, Mangal

Edited by Gurmeet Ram Rahim Singh, Sanjay Kumar Singh

Production company Hakikat Entertainment Pvt. Ltd.

Distributed by Hakikat Entertainment Pvt. Ltd.

Plot: Guru ji (Saint Gurmeet Ram Rahim Singh Ji Insan) is a spiritual leader who has a huge follower base. He has accepted thechallenge of eradicating social evils including drugs and gender-related issues that have been prevailing in the society. Those with vested interestand apathetic towards the welfare of the society are now disturbed as there’s someone who has taken control of the situation. They conspire to kill him.

Check out the movie trailer to get a peek into the story

We will soon be back with the report on box office collection. So, come back for all the movie updates.

This is what film critic Rukmini of Bollywoodlife has to say about the movie...

Meet Dera Saccha Sauda leader Gurmeet Ram Rahim Singh. Apart from advertising himself through and through, fighting goons, playing basketball and wearing clothes which are brighter than the sun, the saint also has other motives; spreading “love” and making people get rid of ill habits like drugs and alcohol.

This film is literally a three hour long commercial of Guruji, his organisation and the “good deeds” he does for the greater good of people. Let’s just say, this venture is completely OPPOSITE of what Aamir Khan’s film PK preaches.

Apart from constantly being distracted by the amount of hair on Gurmeet Ram Rahim Singh’s arms, I can’t get over the HUGE production value this film has. It reeks of moolah..it constantly reminds me of the blind faith people have in leaders like Guruji, without giving any thought to practicality or logic.

There is no story, plot or twist to this utterly mindless sequence of events. To sum it up, a few enemies wish to kill Guruji and the latter defeats them each time. After all, GOD can’t be killed right? MSG is so unbelievable bad that’s it’s good. I’m ROFL at every minute. Let’s just see how vile it gets post the interval..can it BE anymore mind numbing than this?”

Among his many talents he sings, dances, preaches and pontificates -- but can he make a movie?

Going by the roar in the theatre, he surely can.

Audiences adore Gurmeet Singh Ram Rahim Singh. But more than those watching, it is the characters gawking on screen who seem to worship their hero in the same way that Chennai worships Rajinikanth or cricket fans worship Sachin Tendulkar.

In the film, we see men, women and children falling at his feet in Nirvanic ecstacy. In a crackling prologue, shot in the spirit of a Rajkumar Kohli thriller in the 1970s, Guruji's sprawling Ashram is attacked by masked marauders who have come to slay the spiritual leader. In less than 10 minutes the terrorists' guns are on the floor. And so are they. Cowering and whining for forgiveness.

Guruji forgives all.

"MSG" is not a film. It is a massive crash-course in self-promotion, a reflection of what its helmsman feels and why devotes fall by the millions at his milk-washed feet.

The narrative proceeds in the spirit of episodes of a long-running serial, each episode chronicling the exploits of a godman-superhero who can make things happen by simply making a wish.

He shuts his eye and the evil force evaporates. So we see episodes such as 'Guruji Takes On Terrorists', 'Guruji Blesses Community Marriages', 'Guruji Takes To The Broom For Swachch Bharat', 'Guruji Rocks The Stadium'.

My favourite episode in the two-and-half-hour-long film is the one where Guruji banters with paternal playfulness with a young unmarried devotee in his ashram who sulks because she'd have to get married and leave.

"You're a daughter. That's what daughters must do," Guruji explains playfully to the girl as she protests. A foreigner girl with a permanent smile on her face photographs the banter.

The above sequence is so Sooraj Barjatya, so Alok Nath and so Amrita Rao. Even Barjatya would blush at the gushy homage to his cinema.

The filmed crowds reminiscent of Prakash Jha's political dramas, apparently comprising Guruji's real devotees, are so large, it is hard to identify one fawning bhakt from another except when the bhakt sports a turban or a skull cap.

That apart, I can only vouch for the fact that Guruji's devotees in saris are women, and the ones in dhotis are men.

In the melee of devotees I could make out two women devotees. One was a rehabilitated sex worker, played by Flora Saini. More interesting was a foreign woman journalist named Alice played by Olexendra Semen.

There's a lot to be said about a spiritual leader who takes to filmy "hero-giri" with such sincere gusto. Even Rajinikanth can't equal this Guruji's reformist fervour. He acts, directs, composes the songs, writes the lyrics and, of course, performs the miracles.

Review by Subhash K Jha